Dissident artist on trial in China for satirical Mao sculptures, says rights group

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Dissident artist on trial in China for satirical Mao sculptures, says rights group

By Laurie Chen

Originally published by Reuters on March 30, 2026

https://www.reuters.com/business/media-telecom/dissident-artist-trial-china-satirical-mao-sculptures-says-rights-group-2026-03-30

A People’s Liberation Army honor guard stands under an umbrella during heavy snowfall, with the Tiananmen Gate featuring a portrait of late Chinese Chairman Mao Zedong in the background, in Beijing, China, March 4, 2026. REUTERS/Maxim Shemetov/File Photo

BEIJING, March 30 (Reuters) – Chinese dissident artist Gao Zhen, ​famous for making provocative satirical sculptures of former leader Mao Zedong, was tried on Monday over accusations ‌of “defaming national heroes and martyrs”, his wife and a rights group said.

Gao, 69, who was detained in 2024 during a visit from the U.S., faces a maximum three-year prison sentence, said his wife Zhao Yaliang and Shane Yi, a researcher at the Chinese Human Rights Defenders group ​which operates outside the country.

The closed-door, one-day trial took place at Sanhe City People’s Court in Hebei province neighbouring ​the capital Beijing, and ended without a verdict, Zhao and Yi told Reuters, citing information ⁠from his lawyers.

The New York-based artist was detained ​in August 2024 on a family visit to China even though since moving to the U.S. in 2022, he had made multiple trips to China without issues, Yi added.

“This really shows the Chinese government’s logic, when they want to target someone, they can use anything in their ​power to do so,” she said.

“Gao Zhen is an artist. He has a right to artistic freedom, period.”

Gao is suffering ​from malnutrition and ⁠has lumbar spine disease, as well as chronic knee and eye conditions that need treatment, Yi said.

Gao was charged for works between 2005 and 2009, Yi said, while China’s “Law on the Protection of Heroes and Martyrs” was only established in 2018 and strengthened ⁠in 2021.

Reporting by Laurie Chen; Editing by Andrew Cawthorne, Alexandra Hudson

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